||Fiamminghi in the workshop of Guglielmo della Porta
||Schmidt, V.M., Scholten, F.T.
||The Vermeer exhibition of 1935. A 21st-century assessment of his blockbuster debut
||Rinnooy Kan, J.E.I.
||Schmidt, dr. V.M., Hecht, prof. dr. P.A.
||Gravity and Art - The hidden phenomenon of gravity in pictorial representation
||Stumpel, Prof. dr. J.F.H.J., Dupré, Prof. dr. S.G.M.
||Supplying the demand. An interpretation of the phenomenon of early Netherlandish copies after Hugo van der Goes
||Vries, N. de
||Schmidt, V.M., Kemperdick, S.
||Far(-fetched) voyages? How to explain the foreign elements in Jan van Eyck's paintings
||Schmidt, V.M., Borchert, T-H.
||A lasting Impression. An analysis of the etchings of Willem Witsen (1860-1923) by means of his cultural context, character and artistry.
||Herik, D. van den
||Bodt, S. F. M. de
||Lucas van Leyden's artistic presence in Italy: the influence of his engravings on Italian contemporaries
||Dijk, Corinne van
||Bueren, Truus van
||Aert Mijtens (1556-1601): a painter from Brussels in Naples and the Spanish Viceroyalty between 1575 - 1600
||Entertaining genre of Matthijs Naiveu : depicting festivities and performances at the dawn of the 'Theatre Age'
||A Space for Sculpture: or the activation of space in 20th century sculpture
||Brom, Rogier Alexander